Exploring disobedient pedagogies in experience-oriented aesthetic education. The case of poetry slam
Abstract
Introduction: This article explores the intersection between Atkinson’s notion of disobedient pedagogies and experience-oriented aesthetic education, using poetry slam as an example to illustrate their shared potential to foster open-ended and unconventional learning. It challenges traditional frameworks of aesthetic education that privilege canonical knowledge and technical proficiency, proposing instead an approach grounded in a post-Kantian understanding of aesthetic engagement as an embodied and relational mode of encountering the world.
Research Aim: The study aims to explore how disobedient pedagogies intersect with experience-oriented aesthetic education to promote learning that is dynamic, participatory, and ethically attuned. Poetry slam serves as a practical example, demonstrating how such pedagogical approaches can facilitate transformative (aesthetic) experiences through unpredictability, risk-taking, and relational engagement.
Evidence-based Facts: Atkinson’s disobedient pedagogies frame learning as a largely unpredictable event that resists prescriptive standards and fosters exploration and responsiveness to learners’ diverse learning styles. Experience-oriented aesthetic education shifts attention from the transmission of cultural knowledge toward sensorial and socially embedded modes of engagement. Poetry slam – rooted in democratic and performative practice – encourages participants to engage with ambiguity, construct meaning collectively, and express individuality within a shared (aesthetic) experience.
Summary: This paper argues that integrating disobedient pedagogies into experience-oriented aesthetic education reconceptualizes learning as a co-constructed and anti‐transference process. Poetry slam situates this process within a lived aesthetic encounter, creating spaces where learners engage intellectually, aesthetically, and ethically through performance and dialogue. Such a framework redefines aesthetic education as a site of creative and ethical becoming.
Keywords
Full Text:
PDFReferences
Aravani, E., & Daskolia, M. (2025). Integrating literature and environmental education through slam poetry in school practice. Literacy Research and Instruction, 1–33. https://doi.org/10.1080/19388071.2025.2496147
Atkinson, D. (2008). Pedagogy against the state. International Journal of Art & Design Education, 27(3), 226–240. https://doi.org/10.1111/j.1476-8070.2008.00581.x
Atkinson, D. (2012). Contemporary art and art in education: The new, emancipation and truth. International Journal of Art & Design Education, 31(1), 5–18. https://doi.org/10.1111/j.1476-8070.2012.01724.x
Atkinson, D. (2018). Art, disobedience, and ethics. The adventure of pedagogy. Palgrave Macmillan.
Bagwell, L. (2021). Write, speak, listen: Spoken word poetry as discussion. The Social Studies, 112(6), 271–280. https://doi.org/10.1080/00377996.2021.1918616
Bean, E., & Brennan, K. (2014). Youth voices: Performance poetry as a platform for literacy, creativity, and civic engagement. Journal of Applied Research on Children: Informing Policy for Children at Risk, 5(1), 1–8. https://doi.org/10.58464/2155-5834.1197
Berleant, A. (2010). Sensibility and sense: The aesthetic transformation of the human world. Imprint Academic.
Bourriaud, N. (2002). Relational aesthetics. Les presses du réel.
Camangian, P. (2008). Untempered tongues: Teaching performance poetry for social justice. English Teaching: Practice and Critique, 7(2), 35–55.
Denac, O. (2014). The significance and role of aesthetic education in schooling. Creative Education, 5, 1714–1719. http://dx.doi.org/10.4236/ce.2014.519190
D’Olimpio, L. (2022). Defending aesthetic education. British Journal of Educational Studies, 70(3), 263–279. https://doi.org/10.1080/00071005.2021.1960267
Green, B. N., Johnson, C. D., & Adams, A. (2006). Writing narrative literature reviews for peer reviewed journals: secrets of the trade. Journal of Chiropractic Medicine, 5(3), 101–117. https://doi.org/10.1016/S0899-3467(07)60142-6
Gregory, H. (2008). (Re) presenting ourselves: Art, identity, and status in UK poetry slam. Oral Tradition, 23(2), 201–217.
Gros, F. (2019). Nieposłuszeństwo. Wydawnictwo Czarna Owca.
Holt, J. (2004). Instead of education. Ways to help people do things better. Sentient Publications.
Jones, K., & Curwood, J. S. (2020). Tell the story, speak the truth: Creating a third space through spoken word poetry. Journal of Adolescent & Adult Literacy, 64(3), 281–289. https://doi.org/10. 1002/jaal.1080
Kirsh, C. F. (2011). Stories to yell: Using spoken word poetry in the literacy classroom. Journal of Classroom Research in Literacy, 4, 50–61.
Kopčáková, S. (2018). Aesthetics education and its position in the 21st-century democratic society. Ars Inter Culturas, 7, 249–262.
Lisiecka, A. (2025a). Art pedagogy, or perhaps aesthetic pedagogy instead? Studia z Teorii Wychowania, 1(50), 73–88. https://doi.org/0000000300806314
Lisiecka, A. (2025b). Doświadczenie estetyczne Arnolda Berleanta w kontekście współczesnych rozważań nad relacją estetyczność – pedagogika. Kwartalnik Pedagogiczny, 70, 1(275), 7–26. https://doi.org/10.31338/2657-6007.kp.2025-1
Miklitsch, R. (1994). Punk pedagogy or performing contradiction: The risks and rewards of anti‐transference. Review of Education, Pedagogy, and Cultural Studies, 16(1), 57–67. https://doi.org/10.1080/1071441940160108
Nanay, B. (2019). Aesthetics. A very short introduction. Oxford.
Naukkarinen, O. (2021). Everyday aesthetics solving social problems. ESPES, 10(2), 151–164.
Rudd, L. L. (2012). Just slammin! Adolescents’ construction of identity through performance poetry. Journal of Adolescent & Adult Literacy, 55(8), 682–691. https://doi.org/10.1002/JAAL.00083
Saito, Y. (2010). Everyday aesthetics. Oxford University Press.
Saito, Y. (2021). The role of aesthetics in world-making. Contemporary Aesthetics, 9.
Saito, Y. (2025). The role of aesthetic education in everyday life. Retrieved August 25, 2025, from https://www.philosophy-of-education.org/wp-content/uploads/2025/03/PESGB-Saito.pdf
Shusterman, R. (2012). Thinking through the body: Essays in somaesthetics. Cambridge University Press.
Smith, G., Dines, M., Parkinson, T. (Eds.). (2017). Punk pedagogies: Music, culture and learning. Routledge.
Smith, R. A. (2004). Aesthetic education: questions and issues. In E. W. Eisner & M. D. Day (Eds.), Handbook of research and policy in art education (pp. 163–185). Routledge.
Somers-Willett, S. (2009). The cultural politics of slam poetry: Race, identity, and the performance of popular verse in America. University of Michigan Press.
Somers-Willett, S. B. (2014). From slam to def poetry jam: spoken word poetry and its counterpublics. Liminalities: A Journal of Performance Studies, 10(3-4), 1–23.
Sukhera, J. (2022). Narrative reviews: flexible, rigorous, and practical. Journal of Graduate Medical Education, 14(4), 414–417. http:// doi.org/10.4300/JGME-D-22-00480.1
Williams, W. R. (2015). Every voice matters: Spoken word poetry in and outside of school. English Journal, 104(4), 77–82. https://doi.org/10.58680/ej201527046
Williams, W. R. (2018). Attempting arts integration: secondary teachers’ experiences with spoken word poetry. Pedagogies: An International Journal, 13(2), 92–105. https://doi.org/10.1080/1554480X.2018.1453817
Wojnar, I. (1995). Teoria wychowania estetycznego. Zarys problematyki. Wydawnictwo Żak.
Woodard, R., & Coppola, R. (2018). More than words: Student writers realizing possibilities through spoken word poetry. English Journal, 107(3), 62–67. https://doi.org/10.58680/ej201829468
Xerri, D. (2025). “Poetry is on its way back up”: a spoken word performer’s contribution to young people’s engagement with poetry. Journal of Poetry Therapy, 38(2), 115–127. https://doi.org/10.1080/08893675.2024.2381620
Zańko, P. (2020). Pedagogie oporu. Oficyna Wydawnicza Impuls.
DOI: http://dx.doi.org/10.17951/lrp.2026.45.2.237-252
Date of publication: 2026-06-30 15:05:59
Date of submission: 2025-10-20 17:19:07
Statistics
Indicators
Copyright (c) 2026

This work is licensed under a Creative Commons Attribution 4.0 International License.